Articles Culture National Theatre News Originals Theatre

Till the Stars Come Down is a blistering social commentary on post-Brexit Britain – review

When Till the Stars Come Down began, we wondered whether now was really the right time for this show to be staged. Set during a family wedding in the former mining heartland of Mansfield, it initially seemed to focus on Eastern European immigration, specifically the number of Polish people who had moved to the town to seek work in its factories. This seemed to be a hot topic of political debate in the run up to the EU referendum, but the conversation seems to have moved on a bit since…

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Articles Culture Music Musical Theatre News Originals Theatre

Helen George shines in a sadly dated revival of classic musical The King and I – review

Some shows really stand the test of time well, and others don’t – Rodgers and Hammerstein’s The King and I sadly falls into the latter category. It’s a well-known and well-liked musical, but its themes wouldn’t be tolerated if it was written as a new work today. Whether it’s the ‘white saviour’ undertone for the whole narrative, or the depiction of foreigners as barbarians, or the dated attitudes towards women and how they should always be subservient to men – this all may have been acceptable when it was first…

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Articles Culture LGBTQ+ Theatre News Originals Sam Mendes Theatre West End

Sam Mendes directs all-star cast in West End transfer of The Motive and the Cue – review

The Motive and the Cue has already caused quite a stir this year – the previous run at the National Theatre sold out, earned rave reviews and picked up the Evening Standard award for best new play of 2023. Unsurprisingly, Jack Thorne’s show, directed by Sam Mendes, has now transferred to the West End, opening at the Noel Coward theatre this week. It returns with most of the original cast in tact, with Mark Gatiss, Johnny Flynn and Tuppence Middleton reprising their roles as John Gielgud, Richard Burton and Elizabeth…

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Articles Culture Cush Jumbo David Tennant News Originals Shakespeare Theatre

David Tennant and Cush Jumbo star in high-concept modern Macbeth – review

We’ve been reviewing theatre for many, many years now, so – perhaps unsurprisingly – we’ve seen a lot of Macbeths in our time. Many of them have been of variable quality, and it’s been a fair while since we were impressed with a production. Thankfully Max Webster’s production at the Donmar Warehouse bucks that trend – this is a high-concept, modern take on one of Shakespeare’s most famous works – it throws convention out of the window, and it’s all the better for it. The most overt difference is the…

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Articles Culture drag race uk season 5 Ginger Johnson LGBTQ+ Theatre News Originals Soho Theatre Theatre

Ginger All the Way is a fun festive night out, but light on big laughs – review

It’s always a fun moment when a series of RuPaul’s Drag Race UK finishes, as we’re then able to see a new wave of drag talent take the stage. This winter is no exception, and ahead of a drag pantomime of Sleeping Beauty at the Harold Pinter Theatre starring Michael Marouli and Kate Butch, we have Season 5 winner Ginger Johnson bringing the festive-themed Ginger All the Way to London’s Soho Theatre. We actually caught one of Ginger’s Christmas shows previously – How to Catch a Krampus back in 2018, presented…

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Articles Culture National Theatre News Originals Theatre

Infinite Life is an understated study of pain and sexual desire – review

Infinite Life is a slight, subtle play – at just over 100 minutes straight through (no interval) it breezes by with seemingly not much happening. The play is set across about 10 days: during this time we meet five women who are recuperating at a somewhat dubious health spa in California (no treatments are offered beyond relaxation, accompanied by either a water cleanse or a juice cleanse). We learn a bit about their various ailments, alongside their backgrounds and interests. Not much else really happens, although a male character appears…

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Articles Culture LGBTQ+ Theatre News Originals Theatre

Modern queer take on Sleeping Beauty is a fun festive treat at Charing Cross Theatre – review

We have many fond memories of the queer pantos that used to play every festive season at the Above the Stag theatre in Vauxhall, which sadly closed its doors last year. There was no pantomime from the team behind those shows last Christmas, although some of the creatives put on the amusing Ghosted – a queer comedy take on A Christmas Carol – at the Other Palace last December. This year, the team are back under the guise of production company He’s Behind You! – a wonderfully suggestive, if unsubtle,…

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Articles Culture National Theatre News Originals Theatre

Harriet Walter cuts a chilling matriarch figure in The House of Bernarda Alba – review

For those unfamiliar with The House of Bernarda Alba, it was written by queer Spanish playwright Federico Garcia Lorca against the backdrop of the Spanish civil war. It is considered part of his ‘rural trilogy’, alongside Blood Wedding and Yerma, detailing small town life in Spain during the 1930s. This adaptation, by Alice Birch, arrives at the National Theatre with some fanfare, boasting a stellar cast and creative team. Rebecca Frecknall (who directs London’s current production of Cabaret, and also directed this year’s celebrated production of A Streetcar Named Desire)…

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Articles Christmas Culture News Old Vic Originals The Old Vic Theatre

Christopher Eccleston stars as Scrooge in festive treat A Christmas Carol – review

We adore this production of A Christmas Carol – it’s such a treat every time it comes around. Jack Thorne’s adaptation has played at London’s The Old Vic every festive season since 2017 (although it didn’t enjoy its usual full run in 2020, for obvious reasons), each time with a big name starring as Ebenezer Scrooge, one of Charles Dickens’ most infamous creations. For the 2023 season we have Christopher Eccleston who is a perfect fit for the role. Not much changes with this production each year, so there will…

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Articles Culture Music National Theatre News Originals Roald Dahl Theatre

The Witches is a fantastic and surprisingly funny musical adaptation of Roald Dahl classic – review

Adapting a story as well-known as The Witches was always going to be a gamble – beloved by those of us raised on a diet of Roald Dahl stories (which is probably a sizeable proportion of the UK population, and countless more around the world), it’s one of those stories many will have a lifelong attachment to. It’s also arriving on one of the most prominent stages, just in time for Christmas, with an impressive array of talent in the cast and creative team. Can this new musical adaptation (book…

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