End draws David Eldridge’s trilogy to a satisfying conclusion at the National Theatre – review
It’s taken us about eight years, but we have now finally completed David Eldridge’s trilogy of plays exploring love and relationships. Like its predecessors Beginning and Middle, End is a two-hander which plays out as a real-time conversation. The focus of Beginning was on two young lovers on the night they met at a house party, while in Middle we met two people in an established relationship which had begun to go south. The narrative of End – as you may already have guessed – looks at two people who…
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