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Gritty adaptation Boys From The Blackstuff considers masculinity and mental health – review

We’ve been looking forward to seeing Boys From The Blackstuff: this adaptation of Alan Bleasdale’s 1980s hit TV show opened last year at Liverpool’s Royal Court Theatre, produced by Kevin Fearon, and was met with almost universal acclaim. It has now transferred to London, opening this week at the National Theatre for a brief stint before transferring to the West End. It’s written by James Graham, one of our leading political playwrights – we’ve previously covered his shows Dear England (recent recipient of the Olivier Award for Best New Play)…

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Articles Culture News Originals Shakespeare Theatre Tom Holland West End

Tom Holland stars in stylish update of Romeo & Juliet – review

There’s a lot of hype around this revival of Romeo & Juliet, and it’s not hard to see why – it’s rare to have a star quite as famous as Tom Holland on London’s West End. Couple that with this being a Jamie Lloyd production – Lloyd having brought us last year’s enjoyably ridiculous revival of Sunset Blvd, which swept the Olivier Awards and is due to open on Broadway this year – and it’s understandable that there’s a great deal of excitement for this production, which is pretty much…

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Jerry’s Girls is a lighthearted and enjoyable musical revue show – review

You may not be aware of Jerry’s Girls but there’s a fair chance you’ll be familiar with the back catalogue of composer and lyricist Jerry Herman. He’s written the songs for a range of well-known musicals – most famously Hello, Dolly! and La Cage aux Folles – and Jerry’s Girls is a musical revue based on the biggest hits from his most famous shows. The show has its origins in New York nightclubs in the early 1980s, but was officially commissioned as a full-scale musical revue following the success of…

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Articles Culture Music News Originals Theatre Young Vic

Tony-winning musical Passing Strange has lots of good ideas which don’t quite gel – review

If you’re not familiar with the musical Passing Strange… well, we don’t blame you. The original Broadway run was way back in 2008 – it was nominated for several Tony Awards, picking up Best Book of a Musical, and since then it’s not really been performed, aside from a few regional productions in the USA. Until now, that is, as the show makes its European debut at The Young Vic theatre in London. Written by the musician Stew – with additional music and orchestrations by Heidi Rodewald – Passing Strange…

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Stage version of Fawlty Towers is an exercise in nostalgia – review

We weren’t entirely sure what to expect from the stage show of Fawlty Towers – would it simply be a nostalgic evening of lighthearted entertainment, drawing sketches from the short-lived but enduringly-popular 1970s TV series? Or would it contain some surprises? Would there be an attempt to modernise the material for a world that’s very different from when the pilot episode aired some 50 years ago? This play very much is an exercise in nostalgia. If you’re a fan of the TV show, you’ll know what to expect – a…

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Articles Culture News Originals Theatre West End

People, Places and Things is theatre at its absolute best – review

It’s been a while since People, Places and Things last graced our stages: Duncan Macmillan’s drama originally debuted at the National Theatre back in 2015, winning rave reviews and earning Denise Gough an Olivier Award. Macmillan and Gough have reunited with director Jeremy Herrin to revive the play at London’s Trafalgar Theatre, which opened this week and is playing through to 10th August. We’ll say this right away: it’s absolutely brilliant – rarely does theatre feel this important. An urgent consideration of rehab, we meet Gough playing the role of…

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Articles Culture LGBTQ+ Theatre News Originals Shakespeare Theatre

New production of Twelfth Night is a delightfully camp and queer retelling – review

We’re big fans of the Open Air Theatre in Regent’s Park – on a warm evening there’s something quite magical about watching the play unfold against a beautiful sunset. On press night we had perfect conditions – which, sadly, can’t be guaranteed every night – and we had an enchanting evening with this newly-imagined, and delightfully camp and queer, version of Shakespeare’s comedy Twelfth Night, directed by Owen Horsley. For those unfamiliar, Twelfth Night is a comedy about mistaken identity: Viola (Evelyn Miller) and her twin brother Sebastian (Andro Cowperthwaite)…

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Articles Culture News Originals Theatre West End

The Cherry Orchard is a bold contemporary take on classic play – review

Chekhov is one of the great playwrights and there have been a number of his plays revived and reimagined recently on London’s West End. Last year we caught the radical one-man Vanya starring Andrew Scott; the year before we reviewed a minimalist The Seagull, starring Emilia Clarke. Opening this week at The Donmar Warehouse is a bold, contemporary take on The Cherry Orchard – this is a radical new version by director Benedict Andrews. It’s not trying to be traditional: actors use their own accents; wear modern (and quite awful)…

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Articles Culture National Theatre News Originals Theatre

Underdog: The Other Other Brontë is a surprisingly funny look at the sisters’ lives – review

We’re big fans of the Dorfman Theatre – the smallest of three spaces within London’s National Theatre, it regularly hosts some exciting new plays. Underdog: The Other Other Brontë opened earlier in April and is another fresh and inventive original play: written by Sarah Gordon, it tells the story of the three Brontë sisters – Charlotte (Gemma Whelan), Emily (Adele James) and Anne (Rhiannon Clements) and their brother Branwell (James Phoon). Directed by Natalie Ibu, it moves at a punchy pace, with two acts of about an hour each. Stylistically…

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Articles Culture LGBTQ+ Theatre News Originals The Adventures of Priscilla Queen of the Desert Theatre West End

Priscilla the Party! is a high-camp, feel-good night out – review

Ah, Priscilla – a film many of us will have fond memories of, and indeed may well have been a formative moment in many a queer person’s youth. There already exists a stage show, which some will have experienced a while ago, and this new immersive production – Priscilla the Party! – is based on that, but with an updated selection of songs. It’s opened at London’s new HERE at Outernet venue and will be playing all summer. It’s an immersive experience in the same way that Guys & Dolls…

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